Some Musings on My Approach to the Chapman Stick
 
My introduction to the Chapman Stick came in 1980 when I read an interview
in some magazine with Emmett  Chapman about  the Stick. 
I found the symmetry of the stick very appealing and logical. Being a young
musician I was financially challenged and could not afford to buy a new stick.
Eventually on day in 1982, I just decided to call around to all of the local music
stores and asked if they had a Stick for sale. One music store actually had a
used stick for sale on consignment. I had just enough money in my bank
account so I bought it (I think it was serial number 179?). I was an ironwood
stick that had originally been purchased from Emmett  by Chuck Hughes.
The upped frets on the melody side had been scalloped  causing the neck
to have a slight warp leading to bad intonation. After many years of frustration
I finally sent it to Emmett for repair in 1990. When Emmett received the stick 
he called and offered me a new stick with the trade in of my old stick for a
very reasonable price. I eagerly agreed and Emmett sent me a new stick 
within a few weeks. After experimenting with my new stick for several months
I took it with me to a jam party. It was then that I truly became a stickist.
At the party there were 50 guitar players all with different styles, I discovered
that I could jam with any of them even if I was only playing 1-part. I found that
the stick could play the role of all kinds of different  instruments.
I went home that night and wrote my first song on the stick “Harley Rider”.
Ever since it has been a constant evolution in my understanding and abilities
on the stick. I have developed a style that relies mostly on a 3-finger right
  hand technique because I have been unable to consistently produce the same tonal qualities with the pinkie that
  I can produce with the other 3 fingers on my right hand. I have also found that improvisation seems easier mentally
  with a 3-finger approach. I also have “The Grid” a fully midi stick. I has 10-strings that are all the same. It is a whole
  new world where the touchstyle technique meets the synthesizer. I have recently been spending most of my energy
  on midi stick because of the range of instruments that can be played with midi. I have used it for drum parts, synth
  parts, horn parts and ? 
  When creating my DVD “Paul Caruso Plays the Chapman Stick” I used my midi stick and computer to create solid
  reference tracks that could be easily edited in detail. I then was able to record over these tracks with some of my guitar
  and bass stick sounds. A large part of my musical style is improvisation and I wanted to make ensure that part of my
  style was accurately represented in my DVD. The solo sections were recorded simultaneously on video and in the audio
  project so that the solos could be musically correct and not just an imitation. 
  For young players I recommend Jamming with as many people as you can and exposing yourself to many kinds of
  music as possible. The stick can seem very difficult an imposing at first but I recommend that you just start out simple
  playing with one hand or playing 2-handed bass parts. 
  Then, as you grow and practice continue to take chances like throwing in some chord while playing bass, and soon you
  will find yourself playing separate parts without even thinking. 
 
Paul Caruso
04/06/2006
caruso@mywdo.com
http://caruso.users.mywdo.com/
.
Agradezco a Paul su rapidez al aceptar mi petición de escribirme un artículo personal sobre el stick . 
Descubrí su trabajo con el instrumento rastreando información en internet. Tengo su DVD producido
por Chasmata Productions y promocionados por " Caruso's Cave"  conteniendo 6 temas con melodias
muy pegadizas . Mi preferida es  "Livin' In A Haunted House" , donde no solo toca acompañado por un bateria y
un flautista sino que  incluso canta . Reside actualmente en  Golden , estado de Colorado (USA) .
Un día de estos me acerco a visitarlo y pedirle el telefono de las chicas que salen en el video-clip 
 Thanks a lot !   Mr. Caruso . When next one ?
Epakta
.
  DVD description;  A collection of 6 original music videos featuring Paul Caruso the 
extraordinary Chapman Stick® player playing bass and guitar parts simultaneously.
As a soloist on the Chapman Stick®, Paul Caruso draws on an extensive background
of diverse musical influences to create unique soundscapes that are both surreal and
compelling.
The DVD features 5 original instrumental compositions and 1 vocal tune influenced by
the likes of Pat Metheny, Jeff Beck, The Doors and John McGlaughlin.
Paul Caruso has introduced many listeners to The Chapman Stick®, an innovative 
12-stringed electric instrument that is played with a two-handed tapping method. 
Each hand performs its own part, tapping and sustaining notes independently in a 
keyboard-like style, but with all the feeling and sound textures of a guitar and bass. 
DVD Features: 30 Minutes (approx), Region [USA] 
Audio: PCM Stereo, Video: NTSC
Tracks:
1-"Herb Goes To Greenland" 2-"A Tantric Embrace" 3-"Livin' In A Haunted House"
4-"Dreams Of Charon"  5-"Pacific Skies" 6-"Nighlife"

. 
Comentario publicado en My Space  ( http://www.myspace.com/carusopaul )
Paul Caruso is an accomplished musician. As a soloist on the Chapman Stick, Paul Caruso draws on an
extensive background of diverse musical influences to create unique soundscapes that are both surreal and
compelling. Caruso combines the amazing sound of the Chapman stick with vocals based on sci-fi lyrics to 
create a truly 21st century experience for audiences. Caruso has introduced many listeners to The Chapman 
Stick, an innovative 12-stringed electric instrument that is played with a two-handed tapping method.
Each hand performs its own part, tapping and sustaining notes independently in a keyboard-like style, but with
all the feeling and sound textures of a guitar and bass. Caruso has played the Stick exclusively since 1992 when
he devoted himself to the instrument, leaving the guitar behind. “Once I started writing tunes on the Stick I realized
that the Stick is just so much more than guitar”, says Caruso, “it’s on a completely new musical plane that has
yet to be defined”. Caruso combines some progressive jazz stylings that are reminiscent of Pat Metheny with
reggae, rock and blues to create a truly unique sound.